Month: April 2021

  • Uncategorized

    What Ash Ambirge taught me

    What Ash Ambirge taught me

    As a developmental editor of fiction, I often find myself pointing something important out to clients. Novels should not be episodic. The plot should have a structure, with each event like a domino falling over which then hits the next domino.

    This should also happen on a psychological level, which I find particularly gets missed by writers. But that post is for another day.

    The point I wanted to make here is that one thing in fiction impacts another, which impacts another, etc.

    And this is also true in real life.

    You wake up and decide you’re going to tidy a cupboard and, before you know it, you’ve somehow moved on to cleaning the whole room, or trying to track down the stuff that you suddenly realise you’ve misplaced.

    Okay, I hear you saying, what does this have to do with the title of this post?

    And who is Ash Ambirge? (If you don’t know the answer to the second question, shame on you!)

    Look, I’m getting to the point – or points – so bear with me.

    It’s the chain of dominoes. And how it relates to funnels and marketing. And real life.

    How it all started…

    I’m a member of the Editorial Freelancers Association where I get access to a few free webinars.

    When Covid hit last year, business owners like everyone else were panicking. So, there were some useful webinars to help people through the crisis.

    And in one webinar Ash Ambirge and The Middle Finger Project were mentioned in passing.

    I’d never heard of her – or The Middle Finger Project.

    So, shame on me.

    However, being the kind of person who can’t wait to open a new tab on a computer screen, I immediately looked her up.

    She had a new book called The Middle Finger Project. It was part life story and part kick-arse business motivation and inspiration.

    The audio version is actually narrated by Ash Ambirge herself – if you get it, you’ll really get a sense of her personality. I totally recommend it.

    Anyway, I listened to this book in big chunks. Ambirge grew up in a trailer park, the daughter of a disabled single mother on benefits, who then loses her mother as a young adult.

    The story of what happened then is a masterclass in human callousness. I’m talking about the way she heard about her mother’s death. Disgusting.

    But our heroine came through and later, in a business capacity, the middle finger story comes up. I’ll leave you to find that out for yourself.

    But she also told the story of how she found out the guy she was living with had multiple passports and multiple identities.

    And when she confronted him, he got aggressive and threw her out. She had no money or anything, so she had to go back, and then he had his hands around her throat.

    Fortunately, she escaped and spent the night in her car. And that’s when her life changed. When she was sitting in her car, homeless, listening to the radio. An ad came on and said something along the lines of: the new Rihanna CD is available on preorder.

    A truly life-changing phrase.

    Why?

    Because it was at that moment that Ambirge realised you can sell things that don’t exist yet.

    She already had loads of experience in marketing and copywriting. So, she started furiously writing some copy on her laptop and uploaded it to the internet.

    Then the money started rolling in. Her product was legit and she started working on it.

    But she sold it ahead of making it, and the demand proved to be there.

    So, with $300 in her bank account, she flew off to Chile, where rents were cheaper, and set herself up in her new enterprise.

    Now she’s incredibly successful and specialises in motivating those who want to set up in business, or who need to refine their business skills like marketing and copywriting and dealing with clients, etc.

    Where it all led…

    At the end of her book, there’s a link you can follow. It takes you to her site, The Middle Finger Project, and a downloadable book called You Don’t Need a Job, You Need Guts. This is also very inspirational and deals with setting up your own business. It’s particularly strong on building the reader’s confidence and enthusing them to change their life.

    As a consequence of following the link to the downloadable book (which you have to pay for), and signing up to her email list, I then got some witty emails periodically, often on very useful subjects.

    There was also a chance to buy a previous mentorship course she ran – Unfuckwithable Freelancer. 

    This course consists of a generous series of modules in the Kajabi course format. Everything is laid out in a well-structured way and takes you through the best steps to setting up your business.

    There was a considerable number of modules and because it was no longer live, but a recording of a previous mentorship, it cost $97.

    Definitely one of the best $97s I’ve ever spent. (The other one was an Alex Cattoni copywriting course, also a recording of something previously live.)

    I admit I do love courses. I love learning new things.

     

    48-To-Freedom mentorship…

    But a recorded course doesn’t have the same gung-ho motivation as a live one. So I signed up to the beta version of her live course, 48-to-Freedom, which is about setting up a business website, payment processing, email list, offers, service packages, etc, in two days.

    Now that did push me harder, especially since she totally underestimated how long it would take for people to complete it.

    In fact, it spilled over the weekend and finished on Tuesday. But it was great – she literally showed you what to do on her screen and then you just follow along according to your own business needs.

    Because I’d already done copywriting courses, I largely skipped using her copy templates. But her reasoning for the structure of her copy templates was very insightful.

    I’d studied Alex Cattoni’s sales page course and had already written up most of the content for one of the individual sales pages. But I hadn’t quite finished.

    48-to-Freedom encouraged me to finish and get it uploaded and live. And then do the other two pages.

    Sales funnels and email marketing are a big part of both Ambirge courses.

    Setting up an email list was on my list of things to do. But, with other things on the go, and not being as organised as I should have been, I had yet to sort it out.

    Conquer Your Novel challenge

    Now I have a free email 5-day challenge/course sequence.

    This free course is titled Conquer Your Novel. It addresses issues like your logline, character hierarchy (to prevent chaos ensuing), Mary Sues, plot structure, and more. 

    If you want to check it out, there’s a sign-up form below.

    So, that’s what Ash Ambirge taught me

    But that brings me back to the topic I had in mind when I started this post – funnels, dominoes.

    It started with someone mentioning Ash Ambirge and The Middle Finger Project – and this led me down a rabbit hole.

    I learned lots of new things.  

    However, I needed that kick up the backside to finally sort out my email marketing sequence. 

    Later my intention with my IndieCat newsletters is to talk about common problems I come across in manuscripts.

    I’ll also review useful books for indie and other authors, point to courses you might be interested in taking, discuss side hustles for those of you who are thinking of getting one.

    I’ll also be talking about training as a developmental editor, and the process of working through a manuscript.

     

    Topics I’ll cover in IndieCat emails

    But that brings me back to the dominoes and the funnel.

    If you’re an indie author (or any author), you want to funnel people from social media over to your site.

    And I will be writing another post on why that’s so important.

    If you are selling books, you’re in business. If you’re an indie author, you’re an author-entrepreneur.

    And it’s really worth thinking about yourself that way. Just as freelancers need to think of themselves as business owners.

    Ash Ambirge talks about us being the fiduciaries of our business.

    It’s our duty to look after our businesses and act in their best interests.

    It’s partly about separating ourselves from the business. If we think about the business – my editing business or your writing career – as a separate entity that we have a duty of care over, then we make better decisions.

    And marketing funnels are part of that decision! Marketing funnels that get people from A to Z.

    Which in your case might be getting people to buy your books.

    Or, if you’re an editor, getting people to buy your services.

    But first, you have to let potential readers or clients know that you understand their needs. Not to mention, why they should choose you (or your book) over someone else.

  • Uncategorized

    So indie authors aren’t real authors?

    So indie authors aren’t real authors?

    Some months ago, I was following the chat thread in an online authors’ group where someone made it clear they did not respect indie writers.

    True, they seemed a little confused about what self-publishing was, often veering into arguments more applicable to vanity presses.

    They talked about the bragging rights that come from being a traditionally published writer. They spoke about the waste of money hiring editors and cover designers and implied such service providers were scamming writers.

    Funnily enough, this same writer had hired an editor herself so she could send her manuscript to a publisher or agent.

    Just to be clear, it’s not necessary to hire an editor if you’re submitting to an agent, etc.

    The indie authors on the thread were understandably upset at the ignorance and disrespect. They had worked hard on their books. Yet she seemed to take great pleasure in putting them down.

    Her criticisms and claims about self-publishers

    • It’s not real publishing and there are no bragging rights because anyone with a few dollars can do it.
    •  
    • It’s like being a child and making your own little newspaper and selling it to your mother for a penny.
    •  
    • You are not sending your work to anyone to be critiqued, so why bother?
    • It’s just a matter of printing out copies of your own work.
    •  
    • Indie authors hiring editors are being scammed.
    •  
    • Why would you hire an editor if you’re not submitting to publishers?
    •  
    • Apparently, you are just publishing your own ‘SHIT’ and then boasting about it.

    It became clear very quickly that this would-be author did not understand how indie writing actually works. She seemed to be confusing indie publishing with vanity publishing in some of her arguments.

    When the indie authors explained to her that they functioned as publishers and subcontracted work to experts – editors and cover artists – she claimed they were being scammed. She also didn’t see the point, presumably thinking these writers would never be read.

    An example of an indie success: The Martian

    I posted an example of a successful indie author – Andy Weir. There are many others, but Weir was the one who came to mind first. His self-published book became a Hollywood blockbuster.

    If that’s not a success, what is?

    He also managed to sell the print rights to his book for a decent amount of money.

    Weir originally published The Martian as a serial on his own website and had a lot of fans who followed the instalments. The book was repackaged as one volume and sold 35,000 copies in the first three months.

    Funnily enough, the writer who sneered at indie publishing had nothing to say about Weir’s indie career.

    What can you say?

    That he published his own shit?

    That he was putting together his own little newspaper to sell to his mother?

    That he was little better than an eight-year-old child?

    Check out the amount of science in The Martian to see how child-like the book is.

    Indie publishing has evolved since the early years

    Yes, some writers have uploaded unedited files and published them online. The freedom of the indie marketplace means that you have the choice to publish unedited if you want.

    Some people just want to get their book out and possibly don’t even mind if it doesn’t sell. Publishing a book might have been on their bucket list. They’ve done it and moved on.

    There are also others who perhaps have had little contact with writers’ groups and don’t understand the amount of work they still have to do before publishing. I think fear of being judged by an editor might also be a factor.

    However, some people are just plain adamant that their work should go out as it is.

    All of this aside, many indie authors take their work seriously enough to shell out money for various rounds of editing, decent cover art, and marketing. They are taking control of their own careers and not dependent on industry gatekeepers or the whims of acquisition trends.

    And the indie market has grown over the years. In 2018, the number of self-published books jumped by 40%. In fact, the actual figure is much higher since only ISBNs were counted, which leaves out authors using Amazon’s identifier system.

    Indie authors have courage too

    One of the most disparaging remarks made by this critic of indie authors was that it takes a lot of courage to send a manuscript off to a publisher.

    But doesn’t it also take courage to invest in your work, research the right editors and designers, believe in yourself, and go out there and chase success? Especially since there are plenty of people happy to diss the work of others in reviews.

    The point of this post is to say that indie authors are real authors. And the gatekeepers of the publishing industry take on the financial risk with traditional authors, which means they can be picky about what types of books they want to accept.

    Books that are badly written or that don’t quite make the grade aren’t the only ones rejected. Great books that are difficult to categorise, that deal with difficult topics, or which might be seen to appeal to very small demographics are also turned down.

    Traditional publishing is a commercial field. But writing is not just about commerce.

    And taking control of your writing career and becoming an author entrepreneur can be the most courageous choice of all.

    And that’s before we get into something that is often missed about the power of indie publishing. Some writers are content to produce the words alone, while others have a bigger vision which includes the cover art, audible narrator choices, and the freedom that comes from marketing the book their own way.

    One choice is not more valid or braver than the other.

    Different writers just have different priorities, aspirations, and motivations. And some are working in less commercial niches. There are still readers out there looking for those books, even if the traditional publishers are not fulfilling their needs.

    If you’re looking for feedback on your novel or memoir, you can check out my services page. I offer beta critiques, manuscript critiques, opening chapters developmental edits, and full developmental edits. Feel free to contact me for a sample edit and pricing.

     

  • Developmental Editing, Writing, Writing Advice

    When is your novel done?

    When is your novel done?
    When is your novel done?

    When is your novel done? In truth? You can literally be writing the same manuscript over and over for years because no novel is ever perfect.

    Additionally, there is no one way to tell your story, so you might be tempted to make changes and try something different.

    You will be there forever at this rate!

    There comes a point when you have to let it go and move on to the next stage. Sometimes that’s publication and sometimes the next stage is when you show your book to someone else.

    If you feel that you’re not quite there yet, this is totally understandable. Many writers are perfectionists, yet there’s no such thing as a perfect novel or memoir.

    So, what’s your best option?

    If you’re not a member of a writing group, it’s worth finding a good one – you can do this online. Beta readers are another option.

    You can also try out an opening chapters developmental edit. This would allow you to get feedback on a manageable proportion of your book for an affordable price. You can also take some of the advice and apply it to later sections of your novel.

    An opening chapters edit would help with:

    • Your opening hook
    • Your characterisation
    • Whether your protagonist has goals that might face obstacles during the book
    • Your plot
    • Assessing whether you have too much worldbuilding at the outset
    • Whether the tone of your prose matches your genre
    • Assessing your dialogue
    • Checking whether you’ve chosen the best point of view
    • Look at your theme(s) and topic
    • Whether the structure of the opening chapters works to the book’s advantage
    • Your paragraphing
    • Your pacing

    Feedback on these issues and more can give you an invaluable insight into where your book is now. It also helps you understand whether there’s still a lot of work to do.

    If you want to try an opening chapters edit that will give you a detailed report and margin comments in as little as 7 days, feel free to check out the relevant service page and email me at karen@indiecateditorial.com.

    Below is a testimonial for an opening chapters edit of a novel. Most edits do not included reformatted manuscripts. However, each edit is targeted at the needs of the individual manuscript.

    Again, if you want an opening chapters edit, or you want to discuss getting one done, you can check the relevant service page here:

    Opening Chapters Developmental Edit – IndieCat Editorial